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OUR PUBLICATIONS > Learning, Arts, and the Brain: The Dana Consortium Report on Arts and Cognition

OUR PUBLICATIONS > Learning, Arts, and the Brain: The Dana Consortium Report on Arts and Cognition

CCE Research

Learning, Arts, and the Brain: The Dana Consortium Report on Arts and Cognition

January 1, 2008

Author: Edited by Carolyn Asbury, ScM.P.H., Ph.D., and Barbara Rich, Ed.D.

Institution: The Dana Consortium

Full reference: Asbury, C., & Rich, B., (eds.) 2008. Learning, Arts, and the Brain: The Dana Consortium Report on Arts and Cognition. New York/Washington, D.C: Dana Press.

Summary of key findings

The research includes new data about the effects of arts training that should stimulate future investigation. The preliminary conclusions that have been reached may soon lead to trustworthy assumptions about the impact of arts study on the brain; this should be helpful to parents, students, educators, neuroscientists, and policymakers in making personal, institutional, and policy decisions.

Key findings include:

  • An interest in a performing art leads to a high state of motivation that produces the sustained attention necessary to improve performance and the training of attention that leads to improvement in other domains of cognition.
  • Genetic studies have begun to yield candidate genes that may help explain individual differences in interest in the arts.
  • Specific links exist between high levels of music training and the ability to manipulate information in both working and long-term memory; these links extend beyond the domain of music training.
  • In children, there appear to be specific links between the practice of music and skills in geometrical representation, though not in other forms of numerical representation.
  • Correlations exist between music training and both reading acquisition and sequence learning. One of the central predictors of early literacy, phonological awareness, is correlated with both music training and the development of a specific brain pathway.
  • Training in acting appears to lead to memory improvement through the learning of general skills for manipulating semantic information.
  • Adult self-reported interest in aesthetics is related to a temperamental factor of openness, which in turn is influenced by dopamine-related genes.
  • Learning to dance by effective observation is closely related to learning by physical practice, both in the level of achievement and also the neural substrates that support the organization of complex actions. Effective observational learning may transfer to other cognitive skills.

Although scientists must constantly warn of the need to distinguish between correlation and causation, it is important to realize that neuroscience often begins with correlations – usually, the discovery that a certain kind of brain activity works in concert with a certain kind of behaviour.

But in deciding what research will be most productive, it matters whether these correlations are loose or tight. Many of the studies cited here tighten up correlations that have been noted before, thereby laying the groundwork for unearthing true causal explanations through understanding biological and brain mechanisms that may underlie those relationships.

Research questions & methodology

In 2004, the Dana Arts and Cognition Consortium brought together cognitive neuroscientists from seven universities across the United States to grapple with the question of why arts training has been associated with higher academic performance. Is it simply that smart people are drawn to ‘do’ art – to study and perform music, dance, drama – or does early arts training cause changes in the brain that enhance other important aspects of cognition?

The consortium can now report findings that allow for a deeper understanding of how to define and evaluate the possible causal relationships between arts training and the ability of the brain to learn in other cognitive domains.

Go to the journal article.